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Parker Millsap [Americana Series]

“Witnessing Parker Millsap sing for the first time is a jarring experience, because the sights and sounds just don’t seem to match up: the slightly built [Oklahoman] has a bluesy, powerful rasp of a howl that sounds equally suited for juke joints or church tents.” Rolling Stone

OA logo**SOLD OUT: There are currently no tickets available for this concert.

8:00 PM—The Oxford American magazine is excited to welcome Parker Millsap to Little Rock! This is the second show in their 2017-18 Americana Series. Doors open at 6:00 PM, with dinner and drinks available for purchase at that time. The series is made possible in part by presenting sponsor Acura

Additional season partners include Chris Harkins of Raymond James, J. Mark & Christy Davis, UCA College of Fine Arts & Communication, Stella Boyle Smith Trust, Downtown Little Rock Partnership, Stacy Hamilton of Pulaski Heights Realty, Ben E. Keith Foods Mid-South Division, Arkansas Arts Council, ACANSA Arts Festival, Capital Hotel, Rosen Music Company, and Piano Kraft.

Tickets are available via Metrotix.com (or by calling 800-293-5949), and are $22 (General Admission), $28 (Reserved), and $30 (Premium Reserved). Please take a look at this very important ticketing and seating information before purchasing your tickets (view reserved seating chart). Full season ticket pricing and options are also available in a consolidated format, here.


Parker Millsap didn’t know not to sing like this. Listening to old albums as a kid alone in his room, he didn’t realize howling like a Delta blues ghost readying the world for rock-and-roll isn’t how skinny white boy from Purcell, Oklahoma usually sounds.

“I was listening to records from the ’20s and ’40s, and the voices that came out were otherworldly,” Millsap says. “I was really attracted to that. At the same time, I grew up doing congregational singing in church—you know, everybody stands up, grabs a hymnal, turns to number 162, and sings ‘I’ll Fly Away’ at the top of their lungs. I learned to sing in that context, where nobody’s listening to you. We are all just singing.”

People not listening to Millsap could only last so long—not just because the arresting power of his voice cuts through any crowd, but also because the twenty-four year-old is always reaching for something worth saying.

Parker Millsap’s new album The Very Last Day (Okrahoma Records/Thirty Tigers) proves an ideal vehicle for Millsap’s message, delivered via gospel-tinged rock-and-roll poetry. In the midst of a world so fond of condemnation as entertainment, Millsap offers open-armed love of people and their stories. Whether he’s singing about the experience of a gay friend, longing for his evangelical father’s acceptance, or as the King of the Underworld wild with passion, his character-driven songs mine deep wells of joy and despair to create gut-punching narratives that are sometimes hellish, sometimes heavenly, and always human.